{"id":543,"date":"2020-12-06T02:50:13","date_gmt":"2020-12-05T23:50:13","guid":{"rendered":"http:\/\/www.habertelgraf.com\/?p=543"},"modified":"2020-12-06T03:03:12","modified_gmt":"2020-12-06T00:03:12","slug":"cagri-filmi-yonetmeni-mustafa-akad-kim-mustafa-akad-turk-mu","status":"publish","type":"post","link":"http:\/\/www.habertelgraf.com\/?p=543","title":{"rendered":"\u00c7a\u011fr\u0131 filmi y\u00f6netmeni Mustafa Akad kim? Mustafa Akad T\u00fcrk m\u00fc?"},"content":{"rendered":"\n<p>Hani tekrar tekrar izlememize ra\u011fmen yine de doymad\u0131\u011f\u0131m\u0131z filmler vard\u0131r ya!<\/p>\n\n\n\n<p>O filmlerin ilk s\u0131ras\u0131nda \u00e7o\u011fu insan i\u00e7in \u00c7a\u011fr\u0131 filmi vard\u0131r.x<\/p>\n\n\n\n<p>\u00c7a\u011fr\u0131 filmi m\u00fczikleriyle, sahneleriyle, i\u00e7ten anlat\u0131m\u0131yla her M\u00fcsl\u00fcman\u0131n g\u00f6nl\u00fcndne taht kurmu\u015ftur.<\/p>\n\n\n\n<p>\/\/\/\/&#8212;&#8211;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed-twitter wp-block-embed is-type-rich is-provider-twitter\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"twitter-tweet\" data-width=\"550\" data-dnt=\"true\"><p lang=\"tr\" dir=\"ltr\">Hemen her y\u0131l rahmetli Mustafa Akad\u2019\u0131n filmi <a href=\"https:\/\/twitter.com\/hashtag\/%C3%87a%C4%9Fr%C4%B1?src=hash&amp;ref_src=twsrc%5Etfw\">#\u00c7a\u011fr\u0131<\/a>\u2019y\u0131 izlerim. Amat\u00f6r bir sinema izleyicisi olarak \u00c7a\u011fr\u0131 \u0130slam\u0131n ilk d\u00f6nemi ve Efendimize dair en iyi film bence. Yeni nesillere islam\u0131n ilk d\u00f6nem ruhunu bir \u015f\u00f6len gibi anlatan bu filmi izletilmeli, daha iyisi i\u00e7in de \u00e7al\u0131\u015fmal\u0131y\u0131z. <a href=\"https:\/\/t.co\/Mp1PigTc8q\">pic.twitter.com\/Mp1PigTc8q<\/a><\/p>&mdash; Mustafa Ekici (@mustafaekici23) <a href=\"https:\/\/twitter.com\/mustafaekici23\/status\/1262155041600950277?ref_src=twsrc%5Etfw\">May 17, 2020<\/a><\/blockquote><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n<\/div><\/figure>\n\n\n\n<p>Anthony Queen&#8217;in  HZ. Hamza rol\u00fcyle adeta devle\u015fti\u011fi filmin y\u00f6netmeni Mustafa Akad da ya\u015fant\u0131s\u0131 ve m\u00fccadelesiyle \u00f6rnek bir ki\u015fidir.<\/p>\n\n\n\n<p>Mustafa Akad kimdir sorusuna yan\u0131t.x<\/p>\n\n\n\n<p class=\"has-drop-cap has-medium-font-size\"> <strong>1935 Suriye Halep\u2019te do\u011fan Mustafa Akkad\u2019\u0131n babas\u0131 Arap, annesi T\u00fcrk idi.<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong> Ailesinden \u0130slami bir e\u011fitim alan Akkad, gen\u00e7li\u011finde filme ve sinemaya merak sald\u0131. Osmanl\u0131 hayran\u0131yd\u0131. 1951\u2019de film merak\u0131 ile Suriye\u2019den ABD\u2019ye gitti. California \u00dcniversitesi\u2019nde tiyatro e\u011fitimi ald\u0131.<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Gen\u00e7lik y\u0131llar\u0131ndan itibaren ABD\u2019de ya\u015fad\u0131. Buna ra\u011fmen M\u00fcsl\u00fcman kimli\u011fini hi\u00e7 bozmad\u0131. Ba\u015far\u0131l\u0131 bir film y\u00f6netmeni olmas\u0131nda k\u0131z\u0131ldereli Sem Pekin Pah\u2019\u0131n katk\u0131s\u0131 oldu. Ondan sineman\u0131n temel yap\u0131ta\u015flar\u0131n\u0131 \u00f6\u011frenen Akkad, mesle\u011finin ilk y\u0131llar\u0131nda Hollywood\u2019\u0131n en iyi korku film yap\u0131mc\u0131lar\u0131ndan oldu.<\/p>\n\n\n\n<p>Yap\u0131mc\u0131 ve y\u00f6netmen olarak, \u0130slam\u2019\u0131n do\u011fu\u015fu ve \u0130slam tarihindeki bir\u00e7ok olay\u0131 beyaz perdeye nas\u0131l ta\u015f\u0131naca\u011f\u0131 \u00fczerine \u00e7ok kafa yordu. Bat\u0131\u2019daki \u0130slam \u00f6n yarg\u0131s\u0131n\u0131 k\u0131rmak i\u00e7in proje \u00fcretmeye gayret etti. Bat\u0131\u2019da \u0130slam\u2019\u0131 tan\u0131mayan pek \u00e7ok insana \u0130slam\u2019\u0131n ne ad\u0131na sava\u015ft\u0131\u011f\u0131n\u0131 g\u00f6stermek istiyordu.<\/p>\n\n\n\n<p>Onun ad\u0131n\u0131 ba\u015fta \u0130slam d\u00fcnyas\u0131 olmak \u00fczere t\u00fcm d\u00fcnyaya duyuran \u00e7a\u011fr\u0131 filmi i\u00e7in kollar\u0131 s\u0131vad\u0131\u011f\u0131nda, bu i\u015fin hi\u00e7 de kolay olmayaca\u011f\u0131n\u0131 anlam\u0131\u015ft\u0131 ancak o ideallerinden asla vazge\u00e7medi.<\/p>\n\n\n\n<p>Filmle ilgili en b\u00fcy\u00fck sorun finans meselesiydi. Filmin sponsorlu\u011funu ilk etapta Suudi Arabistan \u00fcstlenmi\u015fti. \u00c7ekimler 1974\u2019te Fas \u00e7\u00f6llerinde ba\u015flay\u0131nca, senaryodaki \u201cAshab-\u0131 Kiram sevgisi \u00e7ok fazla vurgulan\u0131yor gerek\u00e7esiyle\u201d filme madd\u00ee deste\u011fini kesece\u011fini a\u00e7\u0131klad\u0131. Fas h\u00fck\u00fcmetine bask\u0131 yapan Suudi Arabistan, film ekibinin \u00fclkeden g\u00f6nderilmesine neden oldu. Bu sure zarf\u0131nda Mustafa Akkad filmin yaln\u0131z 15 dakikal\u0131k b\u00f6l\u00fcm\u00fcn\u00fc \u00e7ekebilmi\u015fti. Mustafa Akkad filmin 15 dakikas\u0131n\u0131 d\u00f6nemin Libya Devlet Ba\u015fkan\u0131 Muammer Kaddafi\u2019ye izletti. Kaddafi, filme tam destek verece\u011fine dair s\u00f6z verdi. B\u00f6ylece \u00e7ekim ekibi Libya\u2019ya ta\u015f\u0131nd\u0131. 2 y\u0131l boyunca s\u00fcren \u00e7ekimler s\u0131ras\u0131nda oyuncular, \u00e7\u00f6llerdeki kerpi\u00e7 evlerde kald\u0131.<\/p>\n\n\n\n<p>1976\u2019da verdi\u011fi bir r\u00f6portajda \u00c7a\u011fr\u0131\u2019yla ilgili \u015funlar\u0131 s\u00f6yledi:<\/p>\n\n\n\n<p>\u201c\u00c7ocu\u011fum olunca \u015f\u00f6yle bir duyguya kap\u0131ld\u0131m: \u00c7ocuklar\u0131ma dinlerini \u00f6\u011fretmeliyim dedim ve sorumlulu\u011fumu hat\u0131rlad\u0131m. \u0130\u015fte \u00c7a\u011fr\u0131 projesi b\u00f6yle ortaya \u00e7\u0131kt\u0131. Hem kendi \u00e7ocuklar\u0131m\u0131n hem de ba\u015fka \u00e7ocuklar\u0131n gelece\u011fi i\u00e7in. Ama bu hi\u00e7 kolay olmad\u0131. \u00c7\u00fcnk\u00fc Hollywood\u2019da Anthony Queen\u2019in ba\u015frolde oynad\u0131\u011f\u0131 bir \u0130sl\u00e2m\u00ee film yapmak ger\u00e7ekten zordu. \u00c7\u00fcnk\u00fc Hollywood gelene\u011finde \u0130sl\u00e2m\u2019a dair her \u015fey \u00e7irkin. Filmi, benim i\u00e7in \u00f6zel bir yeri oldu\u011fundan haz\u0131rlad\u0131m. Normal bir film olarak, hik\u00e2yesi, \u015fa\u015f\u0131rt\u0131c\u0131 noktalar\u0131, h\u00fczn\u00fc vard\u0131. B\u00fct\u00fcn bunlar\u0131n \u00fczerinde san\u0131r\u0131m ki\u015fisel bir \u015fey olarak, bat\u0131da ya\u015f\u0131yan bir m\u00fcsl\u00fcman olmam sebebiyle \u0130sl\u00e2m hakk\u0131ndaki ger\u00e7ekleri duyurman\u0131n g\u00f6revim oldu\u011funu d\u00fc\u015f\u00fcnd\u00fcm. 700 milyon (1976) inanan\u0131 olan bir dinin bu kadar az tan\u0131n\u0131yor olmas\u0131 beni \u00e7ok \u015fa\u015f\u0131rtm\u0131\u015ft\u0131. Bu hik\u00e2yeyle bir k\u00f6pr\u00fc kurup, bat\u0131ya bir ge\u00e7it a\u00e7abilece\u011fimi d\u00fc\u015f\u00fcnd\u00fcm. \u00d6zellikle Amerikan kamuoyunu dikkate ald\u0131m. Onlara kendi mant\u0131klar\u0131 ve dilleriyle hitap ettim. Filmde Hristiyanl\u0131k\u2019la \u0130sl\u00e2m aras\u0131ndaki ili\u015fkiye, Hz. Meryem\u2019e vurgu yapt\u0131m. Sahneleri bu mant\u0131kla \u00e7ektim. Filmde ba\u015f kahraman Hz. Muhammed g\u00f6r\u00fcnm\u00fcyor. \u0130sl\u00e2m alimleri, buna onay vermiyorlard\u0131. Ama verseler bile ben o y\u00fcce ki\u015fili\u011fi g\u00f6stermezdim. Bunun do\u011fru olmad\u0131\u011f\u0131na ben de inan\u0131yorum. Sadece Hz. Muhammed\u2019i de\u011fil, Hz. \u0130sa\u2019n\u0131n, Hz. Musa\u2019n\u0131n da canland\u0131r\u0131lmas\u0131n\u0131 onaylam\u0131yorum. Onlar\u0131 g\u00f6stermek, onlar\u0131n y\u00fcceliklerini g\u00f6lgeler. Filmde sadece ba\u015f kahraman de\u011fil, Hz. Ebubekir, Hz. \u00d6mer, Hz. Osman, Hz. Ali hi\u00e7biri yok. Hatt\u00e2 Hamza, di\u011ferleri olmad\u0131\u011f\u0131 i\u00e7in var&#8230; M\u00fcsl\u00fcmanlar izlerken, Hz. Muhammed\u2019in yoklu\u011fundan dolay\u0131 bir s\u0131k\u0131nt\u0131 \u00e7ekmediler. Ama yabanc\u0131lar i\u00e7in bu bir sorundu. Bir de metnin Ezher \u00dcniversitesi taraf\u0131ndan onaylanmas\u0131 gerekiyordu. \u00c7ok zorland\u0131m. Ama mutluyum, mesaj yerine ula\u015ft\u0131&#8230;&#8221;<\/p>\n\n\n\n<p>1976 y\u0131l\u0131nda islam dininin anlat\u0131ld\u0131\u011f\u0131 en y\u00fcksek prod\u00fcksiyonlu filmlerden birisi tamamlanm\u0131\u015f oldu. Mustafa Akkad\u2019\u0131n imzas\u0131, filmde kendini belli ediyordu.<\/p>\n\n\n\n<p>\u00c7a\u011fr\u0131\u2019n\u0131n vizyona girmesiyle yapt\u0131\u011f\u0131 yank\u0131, y\u0131llar boyunca \u0130sl\u00e2m \u00fclkelerinin yan\u0131 s\u0131ra ABD ve Avrupa \u00fclkelerinde olumlu tepkiler ald\u0131. Tepkiler ola\u011fan\u00fcst\u00fc oldu. Binlerce ki\u015fi M\u00fcsl\u00fcman oldu. \u00d6zellikle Amerika\u2019da siyahlar aras\u0131nda \u0130sl\u00e2m h\u0131zla yay\u0131ld\u0131.<\/p>\n\n\n\n<p>\u00c7a\u011fr\u0131\u2019n\u0131n 1977\u2019de vizyona girmesinin hemen ard\u0131ndan Libya halk\u0131n\u0131n \u00d6mer Muhtar \u00f6nc\u00fcl\u00fc\u011f\u00fcnde s\u00f6m\u00fcrgeci italyanlara kar\u015f\u0131 m\u00fccadelesini anlatan \u201cLayn On The Diz\u0131ryy\u201d (\u00c7\u00f6l Aslan\u0131 \u00d6mer Muhtar) filmi de b\u00fcy\u00fck bir yank\u0131 uyand\u0131rd\u0131.<\/p>\n\n\n\n<p>Mustafa Akkad\u2019\u0131n iki b\u00fcy\u00fck hayali daha vard\u0131. Birisi \u0130stanbul\u2019un fethini ve Fatih Sultan Mehmet\u2019i anlatan bir film \u00e7ekmek, di\u011feri ise \u00fcnl\u00fc islam kumandan\u0131, Selahaddin Eyyubi\u2019nin hayat\u0131n\u0131 beyaz perdeye ta\u015f\u0131makt\u0131. 2000\u2019li y\u0131llarda \u0130stanbul\u2019un fethi filmi i\u00e7in T\u00fcrkiye\u2019ye gelen Akkad, ne yaz\u0131k ki kendisine ne bir sponsor ne de bir muhatap bulabilmi\u015fti. Akkad\u2019\u0131n \u00f6mr\u00fc bu iki hayalini ger\u00e7ekle\u015ftirmeye yetmedi\u2026<\/p>\n\n\n\n<p>11 kas\u0131m 2005 g\u00fcn\u00fc, \u00dcrd\u00fcn\u2019\u00fcn ba\u015fkenti Amman\u2019da k\u0131z\u0131 ile beraber bir yak\u0131n\u0131n\u0131n d\u00fc\u011f\u00fcn\u00fc i\u00e7in bulundu\u011fu otele y\u00f6nelik d\u00fczenlenen ter\u00f6r sald\u0131r\u0131s\u0131nda hayat\u0131n\u0131 kaybetti. Sald\u0131r\u0131 El-Kaide taraf\u0131ndan ger\u00e7ekle\u015ftirildi. Bu korkun\u00e7 sald\u0131r\u0131, b\u00fcy\u00fck bir \u0130slami kayg\u0131 ile, hedefi do\u011frultusunda ilerleyen Akkad gibi usta bir sinemac\u0131y\u0131 alm\u0131\u015ft\u0131 islam d\u00fcnyas\u0131ndan.<\/p>\n\n\n\n<p>\u015e\u00fcphesiz bu b\u00fcy\u00fck bir darbeydi. Ne yaz\u0131k ki, Akkad\u2019dan sonra \u0130slam d\u00fcnyas\u0131nda onun gibi bir y\u00f6netmen yeti\u015fmedi.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>1935 Suriye Halep\u2019te do\u011fan Mustafa Akkad\u2019\u0131n babas\u0131 Arap, annesi T\u00fcrk idi. Ailesinden \u0130slami bir e\u011fitim alan Akkad, gen\u00e7li\u011finde filme ve sinemaya merak sald\u0131. Osmanl\u0131 hayran\u0131yd\u0131. 1951\u2019de film merak\u0131 ile Suriye\u2019den ABD\u2019ye gitti. California \u00dcniversitesi\u2019nde tiyatro e\u011fitimi ald\u0131.<\/p>\n\n\n\n<p>Gen\u00e7lik y\u0131llar\u0131ndan itibaren ABD\u2019de ya\u015fad\u0131. Buna ra\u011fmen M\u00fcsl\u00fcman kimli\u011fini hi\u00e7 bozmad\u0131. Ba\u015far\u0131l\u0131 bir film y\u00f6netmeni olmas\u0131nda k\u0131z\u0131ldereli Sem Pekin Pah\u2019\u0131n katk\u0131s\u0131 oldu. Ondan sineman\u0131n temel yap\u0131ta\u015flar\u0131n\u0131 \u00f6\u011frenen Akkad, mesle\u011finin ilk y\u0131llar\u0131nda Hollywood\u2019\u0131n en iyi korku film yap\u0131mc\u0131lar\u0131ndan oldu.<\/p>\n\n\n\n<p>Yap\u0131mc\u0131 ve y\u00f6netmen olarak, \u0130slam\u2019\u0131n do\u011fu\u015fu ve \u0130slam tarihindeki bir\u00e7ok olay\u0131 beyaz perdeye nas\u0131l ta\u015f\u0131naca\u011f\u0131 \u00fczerine \u00e7ok kafa yordu. Bat\u0131\u2019daki \u0130slam \u00f6n yarg\u0131s\u0131n\u0131 k\u0131rmak i\u00e7in proje \u00fcretmeye gayret etti. Bat\u0131\u2019da \u0130slam\u2019\u0131 tan\u0131mayan pek \u00e7ok insana \u0130slam\u2019\u0131n ne ad\u0131na sava\u015ft\u0131\u011f\u0131n\u0131 g\u00f6stermek istiyordu.<\/p>\n\n\n\n<p>Onun ad\u0131n\u0131 ba\u015fta \u0130slam d\u00fcnyas\u0131 olmak \u00fczere t\u00fcm d\u00fcnyaya duyuran \u00e7a\u011fr\u0131 filmi i\u00e7in kollar\u0131 s\u0131vad\u0131\u011f\u0131nda, bu i\u015fin hi\u00e7 de kolay olmayaca\u011f\u0131n\u0131 anlam\u0131\u015ft\u0131 ancak o ideallerinden asla vazge\u00e7medi.<\/p>\n\n\n\n<p>Filmle ilgili en b\u00fcy\u00fck sorun finans meselesiydi. Filmin sponsorlu\u011funu ilk etapta Suudi Arabistan \u00fcstlenmi\u015fti. \u00c7ekimler 1974\u2019te Fas \u00e7\u00f6llerinde ba\u015flay\u0131nca, senaryodaki \u201cAshab-\u0131 Kiram sevgisi \u00e7ok fazla vurgulan\u0131yor gerek\u00e7esiyle\u201d filme madd\u00ee deste\u011fini kesece\u011fini a\u00e7\u0131klad\u0131. Fas h\u00fck\u00fcmetine bask\u0131 yapan Suudi Arabistan, film ekibinin \u00fclkeden g\u00f6nderilmesine neden oldu. Bu sure zarf\u0131nda Mustafa Akkad filmin yaln\u0131z 15 dakikal\u0131k b\u00f6l\u00fcm\u00fcn\u00fc \u00e7ekebilmi\u015fti. Mustafa Akkad filmin 15 dakikas\u0131n\u0131 d\u00f6nemin Libya Devlet Ba\u015fkan\u0131 Muammer Kaddafi\u2019ye izletti. Kaddafi, filme tam destek verece\u011fine dair s\u00f6z verdi. B\u00f6ylece \u00e7ekim ekibi Libya\u2019ya ta\u015f\u0131nd\u0131. 2 y\u0131l boyunca s\u00fcren \u00e7ekimler s\u0131ras\u0131nda oyuncular, \u00e7\u00f6llerdeki kerpi\u00e7 evlerde kald\u0131.<\/p>\n\n\n\n<p>1976\u2019da verdi\u011fi bir r\u00f6portajda \u00c7a\u011fr\u0131\u2019yla ilgili \u015funlar\u0131 s\u00f6yledi:<\/p>\n\n\n\n<p>\u201c\u00c7ocu\u011fum olunca \u015f\u00f6yle bir duyguya kap\u0131ld\u0131m: \u00c7ocuklar\u0131ma dinlerini \u00f6\u011fretmeliyim dedim ve sorumlulu\u011fumu hat\u0131rlad\u0131m. \u0130\u015fte \u00c7a\u011fr\u0131 projesi b\u00f6yle ortaya \u00e7\u0131kt\u0131. Hem kendi \u00e7ocuklar\u0131m\u0131n hem de ba\u015fka \u00e7ocuklar\u0131n gelece\u011fi i\u00e7in. Ama bu hi\u00e7 kolay olmad\u0131. \u00c7\u00fcnk\u00fc Hollywood\u2019da Anthony Queen\u2019in ba\u015frolde oynad\u0131\u011f\u0131 bir \u0130sl\u00e2m\u00ee film yapmak ger\u00e7ekten zordu. \u00c7\u00fcnk\u00fc Hollywood gelene\u011finde \u0130sl\u00e2m\u2019a dair her \u015fey \u00e7irkin. Filmi, benim i\u00e7in \u00f6zel bir yeri oldu\u011fundan haz\u0131rlad\u0131m. Normal bir film olarak, hik\u00e2yesi, \u015fa\u015f\u0131rt\u0131c\u0131 noktalar\u0131, h\u00fczn\u00fc vard\u0131. B\u00fct\u00fcn bunlar\u0131n \u00fczerinde san\u0131r\u0131m ki\u015fisel bir \u015fey olarak, bat\u0131da ya\u015f\u0131yan bir m\u00fcsl\u00fcman olmam sebebiyle \u0130sl\u00e2m hakk\u0131ndaki ger\u00e7ekleri duyurman\u0131n g\u00f6revim oldu\u011funu d\u00fc\u015f\u00fcnd\u00fcm. 700 milyon (1976) inanan\u0131 olan bir dinin bu kadar az tan\u0131n\u0131yor olmas\u0131 beni \u00e7ok \u015fa\u015f\u0131rtm\u0131\u015ft\u0131. Bu hik\u00e2yeyle bir k\u00f6pr\u00fc kurup, bat\u0131ya bir ge\u00e7it a\u00e7abilece\u011fimi d\u00fc\u015f\u00fcnd\u00fcm. \u00d6zellikle Amerikan kamuoyunu dikkate ald\u0131m. Onlara kendi mant\u0131klar\u0131 ve dilleriyle hitap ettim. Filmde Hristiyanl\u0131k\u2019la \u0130sl\u00e2m aras\u0131ndaki ili\u015fkiye, Hz. Meryem\u2019e vurgu yapt\u0131m. Sahneleri bu mant\u0131kla \u00e7ektim. Filmde ba\u015f kahraman Hz. Muhammed g\u00f6r\u00fcnm\u00fcyor. \u0130sl\u00e2m alimleri, buna onay vermiyorlard\u0131. Ama verseler bile ben o y\u00fcce ki\u015fili\u011fi g\u00f6stermezdim. Bunun do\u011fru olmad\u0131\u011f\u0131na ben de inan\u0131yorum. Sadece Hz. Muhammed\u2019i de\u011fil, Hz. \u0130sa\u2019n\u0131n, Hz. Musa\u2019n\u0131n da canland\u0131r\u0131lmas\u0131n\u0131 onaylam\u0131yorum. Onlar\u0131 g\u00f6stermek, onlar\u0131n y\u00fcceliklerini g\u00f6lgeler. Filmde sadece ba\u015f kahraman de\u011fil, Hz. Ebubekir, Hz. \u00d6mer, Hz. Osman, Hz. Ali hi\u00e7biri yok. Hatt\u00e2 Hamza, di\u011ferleri olmad\u0131\u011f\u0131 i\u00e7in var&#8230; M\u00fcsl\u00fcmanlar izlerken, Hz. Muhammed\u2019in yoklu\u011fundan dolay\u0131 bir s\u0131k\u0131nt\u0131 \u00e7ekmediler. Ama yabanc\u0131lar i\u00e7in bu bir sorundu. Bir de metnin Ezher \u00dcniversitesi taraf\u0131ndan onaylanmas\u0131 gerekiyordu. \u00c7ok zorland\u0131m. Ama mutluyum, mesaj yerine ula\u015ft\u0131&#8230;&#8221;<\/p>\n\n\n\n<p>1976 y\u0131l\u0131nda islam dininin anlat\u0131ld\u0131\u011f\u0131 en y\u00fcksek prod\u00fcksiyonlu filmlerden birisi tamamlanm\u0131\u015f oldu. Mustafa Akkad\u2019\u0131n imzas\u0131, filmde kendini belli ediyordu.<\/p>\n\n\n\n<p>Peygamber Efendimiz\u2019in (s.a.v) hayat\u0131n\u0131 ele alan film, i\u00e7eri\u011fi ve senaryosu ile oldu\u011fu kadar m\u00fczi\u011fiyle de b\u00fcy\u00fck bir ses getirdi. M\u00fczi\u011fin imzas\u0131, Moris Car\u2019a aitti.<\/p>\n\n\n\n<p>\u201c\u00c7\u00f6l\u00fcn atmosferini ruhumun derinliklerinde hissetmeden b\u00f6yle bir film i\u00e7in tek bir nota bile \u00fcretemem.\u201d<\/p>\n\n\n\n<p>Frans\u0131z m\u00fczisyen Moris Car, \u00e7a\u011fr\u0131 filminin m\u00fczi\u011finin olu\u015fma safhas\u0131n\u0131 \u015fu s\u00f6zleriyle anlatt\u0131:<\/p>\n\n\n\n<p>\u201cMustafa Akkad filmle ilgili fikirlerini bana a\u00e7\u0131klad\u0131 ve benden beste yapmam\u0131 istedi. Ben o zamanlar en pahal\u0131- film m\u00fczi\u011fi bestecisi olarak tan\u0131n\u0131rd\u0131m. Bu \u00e7ok zor, ciddi ve ayn\u0131 zamanda zevkli bir i\u015fe benziyordu. Teklifini bir \u015fartla kabul ediyorum dedim. E\u011fer bana rahat\u00e7a \u00e7al\u0131\u015fmam i\u00e7in gerekli ko\u015fullar\u0131 olu\u015fturabilirsen ben de sana unutamayaca\u011f\u0131n bir arma\u011fan sunabilirim. Ancak bunun i\u00e7in en az birka\u00e7 ay boyunca \u00e7\u00f6lde ya\u015famam gerekiyor. \u00c7\u00f6l\u00fcn atmosferini ruhumun derinliklerinde hissetmeden b\u00f6yle bir film i\u00e7in tek bir nota bile \u00fcretemem. Bana hemen \u00e7ekim mek\u00e2nlar\u0131n\u0131za yak\u0131n bir konaklama merkezi ayarla. Benden ba\u015fka hi\u00e7 kimsenin olmayaca\u011f\u0131, son derece sessiz bir mek\u00e2n olsun bu. Ayr\u0131ca \u0130slam tarihini anlatan kitaplar da getirt. Mustafa Akkad, Benim talebimi uygun bularak isteklerimi kar\u015f\u0131lad\u0131 ve ben eseri besteleyebilmek i\u00e7in Fas ve Libya \u00e7\u00f6llerinde aylarca kald\u0131m. Filmin hedef kitlesi \u0130sl\u00e2m d\u00fcnyas\u0131yd\u0131. \u0130sl\u00e2m inanc\u0131 peygamberin tasvir edilmesini yasaklad\u0131\u011f\u0131 i\u00e7in, o halde O\u2019nu, ortaya koyaca\u011f\u0131m\u0131z m\u00fczikle, sayg\u0131n bir \u015fekilde resmedelim\u2019 diyerek yola \u00e7\u0131km\u0131\u015ft\u0131m. Ben hayat\u0131mdak\u0131 en g\u00fczel bestemi yapt\u0131m ve \u00c7a\u011fr\u0131\u2019n\u0131n m\u00fczi\u011fini yapm\u0131\u015f olmaktan gurur duyuyorum\u201d Mustafa Akkad\u2019la benim dostlu\u011fum \u00c7a\u011fr\u0131\u2019dan sonra daha da artt\u0131 ve 6 y\u0131l sonra \u201c\u00c7\u00f6l Arslan\u0131 \u00d6mer Muhtar\u201d filminin m\u00fczi\u011fini de ben yapt\u0131m.\u201d<\/p>\n\n\n\n<p>\u00c7a\u011fr\u0131\u2019n\u0131n vizyona girmesiyle yapt\u0131\u011f\u0131 yank\u0131, y\u0131llar boyunca \u0130sl\u00e2m \u00fclkelerinin yan\u0131 s\u0131ra ABD ve Avrupa \u00fclkelerinde olumlu tepkiler ald\u0131. Tepkiler ola\u011fan\u00fcst\u00fc oldu. Binlerce ki\u015fi M\u00fcsl\u00fcman oldu. \u00d6zellikle Amerika\u2019da siyahlar aras\u0131nda \u0130sl\u00e2m h\u0131zla yay\u0131ld\u0131.<\/p>\n\n\n\n<p>\u00c7a\u011fr\u0131\u2019n\u0131n 1977\u2019de vizyona girmesinin hemen ard\u0131ndan Libya halk\u0131n\u0131n \u00d6mer Muhtar \u00f6nc\u00fcl\u00fc\u011f\u00fcnde s\u00f6m\u00fcrgeci italyanlara kar\u015f\u0131 m\u00fccadelesini anlatan \u201cLayn On The Diz\u0131ryy\u201d (\u00c7\u00f6l Aslan\u0131 \u00d6mer Muhtar) filmi de b\u00fcy\u00fck bir yank\u0131 uyand\u0131rd\u0131.<\/p>\n\n\n\n<p>Mustafa Akkad\u2019\u0131n iki b\u00fcy\u00fck hayali daha vard\u0131. Birisi \u0130stanbul\u2019un fethini ve Fatih Sultan Mehmet\u2019i anlatan bir film \u00e7ekmek, di\u011feri ise \u00fcnl\u00fc islam kumandan\u0131, Selahaddin Eyyubi\u2019nin hayat\u0131n\u0131 beyaz perdeye ta\u015f\u0131makt\u0131. 2000\u2019li y\u0131llarda \u0130stanbul\u2019un fethi filmi i\u00e7in T\u00fcrkiye\u2019ye gelen Akkad, ne yaz\u0131k ki kendisine ne bir sponsor ne de bir muhatap bulabilmi\u015fti. Akkad\u2019\u0131n \u00f6mr\u00fc bu iki hayalini ger\u00e7ekle\u015ftirmeye yetmedi\u2026<\/p>\n\n\n\n<p>11 kas\u0131m 2005 g\u00fcn\u00fc, \u00dcrd\u00fcn\u2019\u00fcn ba\u015fkenti Amman\u2019da k\u0131z\u0131 ile beraber bir yak\u0131n\u0131n\u0131n d\u00fc\u011f\u00fcn\u00fc i\u00e7in bulundu\u011fu otele y\u00f6nelik d\u00fczenlenen ter\u00f6r sald\u0131r\u0131s\u0131nda hayat\u0131n\u0131 kaybetti. Sald\u0131r\u0131 El-Kaide taraf\u0131ndan ger\u00e7ekle\u015ftirildi. Bu korkun\u00e7 sald\u0131r\u0131, b\u00fcy\u00fck bir \u0130slami kayg\u0131 ile, hedefi do\u011frultusunda ilerleyen Akkad gibi usta bir sinemac\u0131y\u0131 alm\u0131\u015ft\u0131 islam d\u00fcnyas\u0131ndan.<\/p>\n\n\n\n<p>\u015e\u00fcphesiz bu b\u00fcy\u00fck bir darbeydi. Ne yaz\u0131k ki, Akkad\u2019dan sonra \u0130slam d\u00fcnyas\u0131nda onun gibi bir y\u00f6netmen yeti\u015fmedi.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hani tekrar tekrar izlememize ra\u011fmen yine de doymad\u0131\u011f\u0131m\u0131z filmler vard\u0131r ya! O filmlerin ilk s\u0131ras\u0131nda \u00e7o\u011fu insan i\u00e7in \u00c7a\u011fr\u0131 filmi vard\u0131r.x \u00c7a\u011fr\u0131 filmi m\u00fczikleriyle, sahneleriyle, i\u00e7ten anlat\u0131m\u0131yla her M\u00fcsl\u00fcman\u0131n g\u00f6nl\u00fcndne taht kurmu\u015ftur. \/\/\/\/&#8212;&#8211; Anthony Queen&#8217;in HZ. Hamza rol\u00fcyle adeta devle\u015fti\u011fi filmin y\u00f6netmeni Mustafa Akad da ya\u015fant\u0131s\u0131 ve m\u00fccadelesiyle \u00f6rnek bir ki\u015fidir. Mustafa Akad kimdir sorusuna &hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[],"_links":{"self":[{"href":"http:\/\/www.habertelgraf.com\/index.php?rest_route=\/wp\/v2\/posts\/543"}],"collection":[{"href":"http:\/\/www.habertelgraf.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.habertelgraf.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.habertelgraf.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.habertelgraf.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=543"}],"version-history":[{"count":3,"href":"http:\/\/www.habertelgraf.com\/index.php?rest_route=\/wp\/v2\/posts\/543\/revisions"}],"predecessor-version":[{"id":546,"href":"http:\/\/www.habertelgraf.com\/index.php?rest_route=\/wp\/v2\/posts\/543\/revisions\/546"}],"wp:attachment":[{"href":"http:\/\/www.habertelgraf.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=543"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.habertelgraf.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=543"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.habertelgraf.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}